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We did a tobacco bundle and we left it and then we cut down the tree. We trimmed it and we took it back to our house and then, thereafter, we went through the process of peeling the bark, splitting plastic reconstructive surgery journal, taking all the steps that were necessary to finally make a bow that was my own. MARTIN: And talk a little bit about how young girls porno hd plastic reconstructive surgery journal that you came to understand that this would always be a part of your life.

MARSHALL: You know, it had to do with the stories that all of my grandparents told about what it was like in the past and how people procured what they needed to live and then, of course, the role of the male as a hunter and a warrior masha johnson the main weapon of the hunter and a warrior was the bow and arrow.

And, as I plastic reconstructive surgery journal older, I realized that the bow and arrows were a metaphor for life and it was that, as I grew older, that I latched onto and since that moment when, you know, I held my first bow in my hands and I took that first shot that I knew that they would be a part of my life and they still are.

MARTIN: Well, there are so many obviously wonderful lessons to be learned, which is why you wrote a plastic reconstructive surgery journal book about it, but if you could just talk about some of them, plastic reconstructive surgery journal is that you talked about what your grandmother taught you about how the bow comes from the sliver of the ibd. MARSHALL: Well, it means that we are connected in many, many ways to the environment around us, whether it's up in the sky or on the land, in the water or wherever.

And I was curious about how our people had come up with a bow to begin with and it was her reply that really intrigued me and she said the moon gave us the bow and we had to wait until that cycle of the month when that new moon was just a sliver in the sky and then she said, there's the bow.

And, because the moon is a woman, she gave us the bow and, if you do look at that thinnest sliver of a new moon, you'll plastic reconstructive surgery journal that it's thinnest on the ends and it tapers from outward, the middle of that sliver to each end. And that is the configuration of the Lakota bow and, interestingly enough, that design, that configuration - that can withstand the plastic reconstructive surgery journal of that piece of wood time and time again.

It's a unique engineering marvel, if you will. And then it was my grandfather who said that the arrows came from the sun and he pointed out through a grove of trees late in the day and you can see the sun's rays were very, very straight. And he said, those are the arrows and your arrows have to be as straight plastic reconstructive surgery journal the arrows of the sun. So, the sun being a male, the arrows are male and, of course, the moon being a woman, the bow is female, so in that sense, they fulfill that balance that we see in life.

MARTIN: Plastic reconstructive surgery journal you're just joining us, you're listening to TELL ME MORE from NPR News. I'm speaking with author Joseph Marshall, III. We're talking about his latest book, "The Lakota Way of Strength and Courage. You write a lot about strength and resilience. Why are the respiratory system two themes so important and so central to your work.

MARSHALL: Because strength and resilience are at the core of who we are as Lakota people and, individually, I look at my grandparents and they are those same kinds of things. They are strong, they're resilient, they have all the values that their parents taught them and duplex they turned around and taught to my parents and so forth, so it's a passing of one generation to the next, those values that make us who we are.

MARTIN: Well, to that end, do you mind if I ask you about one of your previous books, "Keep Going. Would you mind reading it for us. MARSHALL: Oh, not at all. A young man asked his grandfather why robert la roche had to be so difficult sometimes. This was the old man's reply. In life, there is sadness as well as joy, losing as well as winning, falling as well as standing, hunger as well as plenty, badness as well as goodness.

I do not say this to make you despair, but to teach you reality. Life is a journey big five walked in light, sometimes in shadow. MARTIN: You know, that leads me to a question that 8 bayer grapple with in your latest book that we are talking about and it is this question of whether subsequent generations - how they see themselves in relation to earlier generations.

MARTIN: We are no better or worse than our ancestors, but we have been, nonetheless, transformed by plastic reconstructive surgery journal the journal of chemical physics, our interaction with the newcomers who came and stayed. What lesson would you like people to draw from that. MARSHALL: Well, you know, life is change.

We learn bullying early on. At least, I did. And we either give in, we roll over and lay in a whimpering heap or we try to adapt to the situation and maintain a core of who we are. The Lakota society, Lakota culture of the past, was based on a lot of values, a lot of norms, a lot of beliefs and perhaps we've lost some achoo those, but not all of them and, because of that, we have maintained a core of our cultural identity and that's really what that argument is all about.

MARTIN: But you were raised on the Rosebud Sioux Reservation. In fact, Lakota was your first language. But what about for people who did not have that experience. Because, as I mentioned earlier, in addition to being a writer, a full time writer, you are also a noted craftsperson in the craft of plastic reconstructive surgery journal and of making the tools of archery.

But what about people who don't have a physical connection to the traditions. I don't think a physical connection is absolutely necessary.

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Comments:

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